Video Excerpts
Below you can see some edited Vanessa Tamburi’s choreographic work realised from 2002 to 2016. If you are interested in adding to your repertoire contact her directly @ flussodanceproject@gmail.com
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To watch the video, click on the title.
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Piece created in May 2016 for IDACO NYC event week. Men and women who wanted to tell their story, their devastating journeys, their frustrated dreams, their hopes and their wrecked dramas suffered in their original countries. Immigrants are often considered disenfranchised invaders and not a resource for the country's future. The moral value of human beings to ensure decent living conditions should never be sacrificed on the altar of greedy political and economic interests.
Thought thinks it sees the imagination“ Bruno Munari. The project was reworked for 3 dancers within the IDACO nyc 2015 based on the Trapping project realized in 2013. TUNNEL CITY is an interaction between a moving visual text and dancers, which communicates a flow of thoughts. The project is based on Andrea Bianconi’s book ROMANCE.
10-minute excerpt of a half-hour project created for the Between the Seas festival in NY with the collaboration of the Italian Culture Institute NY. “I know that I am, because I know there is other than me ” (J. Tischner). Vanessa Tamburi's creation explores the Bridge as a metaphor: a reflection on identities, borders, welcome, on exclusion; a reflection of difference as a source of conflict and inspiration.
The project is based on Andrea Bianconi’s book ROMANCE and will include a video by the same artist, dancers directed by the choreographer Vanessa Tamburi and a musical score composed by Sebastien Sanz de Santamaria& Vanessa Tamburi. The project is a blend of construction and deconstruction, of closing and opening, of intimacy and extroversion an endless chain of associated signs projected on endless moving bodies.
It's a 10-minute excerpt of an hour-long project created for Imperfect Dancers, Italy. It is not a choreography but photographs of the mind, filtered by flashes of life fleetingly captured in the symphonic rhythm of the metropolis, clicks, views, and zooms in New York City. The City is where energy flows, where the dreamers' imaginary world combines with the body's reel rhythm, immersed in the stressful everyday life. Fragments of memory and present.
A 10-minute excerpt of a 1-hour length show. SUNCYCLE is a dance and theatre performance about ENERGY and an energetic cycle, fusing music, images and lights. It explores different aspects of energy through a development that follows the evolution of human understanding of this fundamental life force.
10 min excerpt piece of a full-length production. Africa: The Last Beat is a mixture of creative movement, choreography and visual- Traditional/innovative - movement of digital imagery and rhythmic movement/sound. The piece is based on the history of the Rwandan genocide, which is also the story of the indifference of the Western World in front of dramatic events.
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Tableau vivant built on the relentless musical rhythms of Arvo Part, is a choreography that fully crosses an intimate connection with the visual arts. The interpreters go through frames and plexiglass panels that do not exist, or rather they gradually build from scratch. By overlapping and interpolation of signs, the performers recreate a new work, made of patches of green, blue, red and yellow dripping on faces, hands, and bodies and they fill the surrounding space, as a global work of art.
10-minute excerpt of a half-hour project created for the Between the Seas festival in NY with the collaboration of the Italian Culture Institute NY. “I know that I am, because I know there is other than me ” (J. Tischner). Vanessa Tamburi's creation explores the Bridge as a metaphor: a reflection on identities, borders, welcome, on exclusion; a reflection of difference as a source of conflict and inspiration.
The show was inspired by a trip to Rwanda and Burundi, expressing a wish to share human and civil against the history of the Rwandan genocide it is also the story of the indifference of the Western World in front of dramatic events, but perceived as different from their interests
Today, 15 years after the genocide, there remain many open questions with no answer. Africa: The Last Beat is a mixture of creative movement, choreography and visual- Traditional/innovative - movement of digital imagery and rhythmic movement/sound.
The objective of the project is to develop awareness of the albinos problem in Tanzania. Discrimination against albinos is a serious problem throughout sub-Saharan Africa, many people in Tanzania believe albinos have magical powers.
The piece articulates nine sketches of the life of children in Liberia, Zambia, Somalia, Angola, Ivory Coast and Rwanda: stories of lost rights and dignity. The piece is inspired by “The Sky of the Last Ones”, a book that collects articles written by MARIA GRAZIA CUTULI.
A piece on Baroque spirit and its relationship with primitive spirituality. A parallel with our society and the desire of a woman to free herself from superfluous and to research a different spirituality.
The piece presents a deep analysis of the meaning of pain. Confrontation and fight, tension and fear to understand, face and overcome pain
The piece develops along two lines: collective pain, caused by man and its inclination to destroy; and private pain, where suffering can be only faced in solitude.… but with the certainty that there is an “EXIT
​A work where movement, music and images are in synthesis. The cinema of Michelangelo Antonioni meets the waltz. An attempt at dialogue between the misunderstanding of reality and the ideal of harmony.
more to come
More video will come